Motivation and Inspiration

Rock and roll bands. It's not always about amplifiers turned up to 11 and  scoring chicks. Sometimes you get inspirational words to live by. And if there is anyone who understands how life can grind you up and spit you out, it's rock and roll bands. Here are a couple of my favorites.

The first comes from an Atlanta band called Drivin' N' Cryin'. D'N'C' released a 4 song ep in 91 with a cut from their latest album and 3 live tracks. The first live track contained this nugget of wisdom:

...We've been all around, and we've come back home with three very important rules of life. I'm gonna tell you what they are.
Said a toy never played with is not a toy at all
Said a day never lived in is not a day at all
Said a promise never broken is a strange thing indeed...

-- Kevn Kinney of Drivin' N' Cryin' song: "Toy Never Played With"

The second comes from a band out of New Orleans called Cowboy Mouth. CM's mantra is that life is really short, so make every day count. Sounds trite and overused, I know, but this is how their front man Fred LeBlanc puts it:

Sometimes it feels like everybody's against you. Sometimes it feels like the world doesn't care. But what you've got to do is you've got to get up. You've got to find your heart. You've got to find your soul. You've got to find those strengths inside yourself that make you take on the day. That make you take on the world. That make you appreciate what goes on around you. That make you glad to be ALIVE!

-- Fred LeBlanc of Cowboy Mouth song: "Why Ya Wanna Do Me"

Words to live by, no matter if you're a rocker, a roller, a writer, a painter, or just a human being trying to hang onto this spinning hunk of rock we call home.

Pacing Yourself

Technology. It's the sci-fi writer's best friend, and biggest cheat. We use it in so many ways, as settings, plot devices, a convenience and eye/brain-candy. But who can guess what will actually be available when that future time actually comes around?

After Tuesday's blog, Leah Petersen and I were discussing about the difficulties of writers predicting technology far enough into the future to fit a story's setting. She mentioned that though her story is set 350 years in the future, most of her tech feels like something we could have in the next 20 years. This got me to thinking about some of the factors that affect tech development.

One of the biggest factors I see is the problem of stagnation. Sometimes a technological innovation will undergo a period of dormancy while waiting for component technologies to mature, or for a new break-thru to push the boundaries of what's possible. Airliners were built out of aluminum as far back as the 1930s, and it's only within the last decade that the carbon-fiber skinned 787 is changing that. It offers more strength for less weight. Carbon fiber isn't new, it's been used for years in Formula 1 racing cars and in certain parts for airliners, but it's only recently that the technology has matured enough to attempt it's use in an airliner the size of the 787.

And, sometimes what's possible isn't always practical or realistic for other reasons. Look at aviation again. We went from the Wright Brothers first flight, a 120 foot long journey at not much faster than a running pace, to the Concorde, an ocean spanning Mach 2 airliner, in a little over 70 years. However, Concorde ended up being too expensive and impractical, only carrying between 92 and 128 passengers at a time, while a 747 of the same period could typically carry up to 452 passengers in a little over twice the flight time.

The oil crisis of the 70s effectively killed off the supersonic airliner from wider-spread use. Jet fuel prices are tied almost directly to the price of oil. $2 a barrel for oil? Sure let's build supersonic airplanes. When the price jumped to $10 a barrel? Fuel's too expensive now, we have to charge customers ticket prices they won't want to pay. (This sound familiar to anyone with a gas tank in their car over the last few years?)

That's something that we writers should always take into consideration when designing tech (or trying to) for our stories: is it practical for the characters daily lives? Is it something that a character can do without, or is it something extremely vital for survival?

Ultimately, it comes down to doing research, the writer's discretion, and what feels right. No two writers are the same, and neither well they share a specific sense of what's right.

How do you handle technology in your sci-fi stories?
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Don't Panic!

...he also had a device that looked rather like a largish calculator. This had about a hundred tiny flat press buttons and a screen about four inches square on which any one of a million "pages" could be summoned at a moment's notice. It looked insanely complicated, and this was one of the reasons why the snug plastic cover it fitted into had the words DON'T PANIC printed in large friendly letters. The other reason was that this device was in fact the most remarkable of all books to ever come out of the great publishing corporations of Ursa Minor- The Hitchhiker's Guide to the Galaxy.

                                               Chapter 3, The Hitchhiker's Guide to the Galaxy

Douglas Adams was a genius and a prophet, but that's true of any good visionary sci-fi writer. Call it a Kindle, Nook, iPad, Netbook, tablet, or Smart phone, today some form of portable electronic device that let's us access the internet. (which is very convenient, as Adams says in relation to a printed-version of the Guide, "an interstellar hitchhiker would require several inconveniently large buildings to carry it around in.") Adams is just carrying on a long tradition of giving us glimpses into the future.

Jules Verne and H.G. Wells were famous and celebrated for this ability. Submarines that can travel thousands of miles under water without surfacing? Sounded far-fetched in Verne's time (the submarine as a viable war machine was it's infancy during the American Civil War), but only fifty years after Verne's death, nuclear powered submarines were  in operation, the first one appropriately named Nautilus.

More recently, tv and movies have led the way toward the future. Star Trek saw Kirk and Spock running around with flip-up communicators that allowed them to talk to the Enterprise from a planet's surface as clear as if both parties were in the same room. Now, people carry around cell phones that are not much bigger than a deck of playing cars, can reach around the world, and hold more computing power than all of NASA during the Apollo moon missions.

Star Wars hasn't been left out of the act either. TIE fighters were famous for mostly being Rebel target practice. However the TIE part (Twin Ion Engine) is now a viable engine technology for spacecraft, scooping up matter from the front end, and ejecting ions out the back end to propel the craft along. And, remember the tank of pink goo (Bacta) Luke floated in on Hoth while recovering from the Wampa attack? Now there is a gene therapy gel in testing that speeds up the natural healing functions of the body by as much as six times normal - no scuba mask needed.

Sci-fi writers are always looking forward, trying to imagine tomorrow, and the day after. Sure, there have been some miserable failures (I'm still waiting for my Jetson's car that folds up into a briefcase, personal jetpack, and my ticket on Pan Am's Lunar flights to the moon- thank you Stanley Kubrick & 2001: A space Odyssey) but there have been resounding successes. So, the next time you see some far-out concept in a book or movie, something seemingly impossible and outrageous, remember: DON'T PANIC! That just might be the future you see.

Thanks to @LeahPetersen for inspiring today's blog post. You can blame her for this drivel. :D
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