Get It Together Blog Hop

Welcome to my little stop on the Get It Together Blog Hop!  

For my post, I thought I'd revisit something I wrote a few years back about self-referencing guides and had originally titled "Your Organization Is Touching My Chaos!" 

Getting It Together (So You Don't Have To Remember It All)

Continuity is a bug-a-boo of mine in a novel series. Be consistent with your history & descriptions of a particular character or place or event. This is something I strive for in my writing, especially in the large series I am working on. If an author chooses to change a character's description, change hair color or the like, I can accept that.- provided there is an explanation for the change in the books. Don't make him sandy blond in one book, and have him dark haired two books later, without giving a reason why.

TV shows and lesser movies often give no thought to continuity. This bothers me, but not nearly as it does in print. I've seen good and bad examples of continuity in published print.

The Bad: I once read a book (which suffered severely from bad editing, or none at all. Really, it was a train wreck) where the dog's name changed completely from one paragraph to the next. Not two dogs. One dog. Two names in two successive paragraphs. I keep this book as an example of what NOT to have printed with my name on the cover.

The Good: The various Star Wars novels that have come out over the last twenty+ years (well over a hundred, closer to two hundred) have shared an amazing consistency, given the fact that they are written by dozens of authors. Added to that are the 6+ movies, the tv series, and the video games the individual units of LucasFilms has released, it becomes an even more impressive feat.

I've seen problems in my own writing. When you've got parts of a dozen different novels (or more, I lost count), plus several short stories floating around that are all in the same shared universe (and across a large span of time) it gets to be too cumbersome to keep everything in your head AND keep it straight. I have one alien species that I kept flip-flopping the ending of the species name from -in to -inian. Planet names that were written -ax in one piece, -axia in another.

I don't have George Lucas' money to hire my own continuity editing staff. Yet. Until then, I have to do it the hard way- myself! To combat this, I started a document to track all the references, characters, ship names, locations, ect that were going into my series. This isn't an entirely new idea, other writers no doubt do the same, with character bibles, three-ring binders, and whatnot. I call mine a compendium, and I went a little more thorough with mine.

I included things like a list of sector names (important because I give a header block for each new chapter giving the location, ship name the characters may be on, ect), a time-line of the major events so I can keep the history straight, and a reference guide for me to remind myself which projects use a given character, or reference. I broke all my references down into alphabetical order for easier searching. Here's an example page from the X-Corps Compendium:

Rhinocerosi

A genetically engineered species. Rhinocerosi were two meters tall, bipedal and weighed approximately one ton each. Jailen Devorax took a rhinoceros DNA sample from ancient Terra, and had the DNA manipulated to grow himself a private body guard force. (RP)

Rowantree, Captain Rosina

Captain of the Starcorp vessel Starcorp Merchant. Barely 1.5 meters tall, with mousy brown hair tied up in an efficient if not exactly inventive bun, Rowantree had been moved over from the Starcorp Accountant fleet to command of the Starcorp Merchant shortly before the ship was raided by the Chorros de Corazón. (TAH)

RP Freight Line­

Render Paxon’s independent freight company. (RP)

- S -

Sánchez, Captain Ramón Juan Álvarez de la Vega

Captain of the privateer ship Chorros de Corazón. He was of Portuguese descent, with a darkly tanned skin that was a genetic gift from his ancient ancestors. He wore a goatee beard and a short pony tail of jet black hair that gave him a rakish, almost piratical air. A practical man, Sánchez operated on the principal that you never ruin that which you can raid again in the future. A stern but fair authority figure, Sánchez played no favorites and accepted no shirkers among his crew. (TAH)

Sanchez, House

Sanchez was the second smallest of the surviving houses to form from DrummondCo. Sanchez was named for Juan Raul Julio Sanchez, the head of the marketing division. House colors were white and orange. During Operation Telegraph the house was one of the major alliance members, pushing their spin-ward border well into former House Merker space, adding several systems to house control. (HSPP1,6,7)

Schwecshheimmer, Fregattenkapitän Fritz “Quicksilver”

Commanding officer of the Merker Navy aerospace fighter squadron Hell Hounds on board the carrier Cerberus during the first two years of the Fourth Border War between Merker and Donov. Fritz was killed in an ambush during a Merker attack on an unmanned border observation post in an uninhabited system. (HSPP1)

I broke it down this way: Entries are alphabetical (by last names for characters). Ship names are alphabetical by the name of the ship, omitting 'The' from a title. The (parenthetical) bit at the end of the entry is my project reference code, so I can track and update references. Some entries appear in more than one project. For example, House Sanchez is mentioned in books 1, 6, and 7 of the Hunt Starfire series.

I started this document for my own self-reference. It's grown into a document over12,000(!) words long at the moment. I'm sure that by the time I get all of these projects written, and hopefully published, the Compendium will be the size of a novel itself!

If you're deep into world building, or are writing a long series, organizing your references is a tremendous help.

Be sure to check out all of today's other Blog Hop authors as well!

Shari Slade --- "Hold On Loosely"

Julia Kelly --- "Getting It Together with Workflowy."

Karen Booth

Rebecca Grace Allen

Jodie Griffin --- "When You’re More Organ-ISH-ed Than Organized"

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Don't Panic!

...he also had a device that looked rather like a largish calculator. This had about a hundred tiny flat press buttons and a screen about four inches square on which any one of a million "pages" could be summoned at a moment's notice. It looked insanely complicated, and this was one of the reasons why the snug plastic cover it fitted into had the words DON'T PANIC printed in large friendly letters. The other reason was that this device was in fact the most remarkable of all books to ever come out of the great publishing corporations of Ursa Minor- The Hitchhiker's Guide to the Galaxy.

                                               Chapter 3, The Hitchhiker's Guide to the Galaxy

Douglas Adams was a genius and a prophet, but that's true of any good visionary sci-fi writer. Call it a Kindle, Nook, iPad, Netbook, tablet, or Smart phone, today some form of portable electronic device that let's us access the internet. (which is very convenient, as Adams says in relation to a printed-version of the Guide, "an interstellar hitchhiker would require several inconveniently large buildings to carry it around in.") Adams is just carrying on a long tradition of giving us glimpses into the future.

Jules Verne and H.G. Wells were famous and celebrated for this ability. Submarines that can travel thousands of miles under water without surfacing? Sounded far-fetched in Verne's time (the submarine as a viable war machine was it's infancy during the American Civil War), but only fifty years after Verne's death, nuclear powered submarines were  in operation, the first one appropriately named Nautilus.

More recently, tv and movies have led the way toward the future. Star Trek saw Kirk and Spock running around with flip-up communicators that allowed them to talk to the Enterprise from a planet's surface as clear as if both parties were in the same room. Now, people carry around cell phones that are not much bigger than a deck of playing cars, can reach around the world, and hold more computing power than all of NASA during the Apollo moon missions.

Star Wars hasn't been left out of the act either. TIE fighters were famous for mostly being Rebel target practice. However the TIE part (Twin Ion Engine) is now a viable engine technology for spacecraft, scooping up matter from the front end, and ejecting ions out the back end to propel the craft along. And, remember the tank of pink goo (Bacta) Luke floated in on Hoth while recovering from the Wampa attack? Now there is a gene therapy gel in testing that speeds up the natural healing functions of the body by as much as six times normal - no scuba mask needed.

Sci-fi writers are always looking forward, trying to imagine tomorrow, and the day after. Sure, there have been some miserable failures (I'm still waiting for my Jetson's car that folds up into a briefcase, personal jetpack, and my ticket on Pan Am's Lunar flights to the moon- thank you Stanley Kubrick & 2001: A space Odyssey) but there have been resounding successes. So, the next time you see some far-out concept in a book or movie, something seemingly impossible and outrageous, remember: DON'T PANIC! That just might be the future you see.

Thanks to @LeahPetersen for inspiring today's blog post. You can blame her for this drivel. :D
.

Your Organization Is Touching My Chaos!

Continuity is a bug-a-boo of mine in a novel series. Be consistent with your history & descriptions of a particular character or place or event. This is something I strive for in my writing, especially in the large series I am working on. If an author chooses to change a character's description, change hair color or the like, I can accept that.- provided there is an explanation for the change in the books. Don't make him sandy blond in one book, and have him dark haired two books later, without giving a reason why.

TV shows and lesser movies often give no thought to continuity. This bothers me, but not nearly as it does in print. I've seen good and bad examples of continuity in published print.

The Bad: I once read a book (which suffered severely from bad editing, or none at all. Really, it was a train wreck.) where the dog's name changed completely from one paragraph to the next. Not two dogs. One dog. Two names in two successive paragraphs. I keep this book as an example of what NOT to have printed with my name on the cover.

The Good: The various Star Wars novels that have come out over the last twenty years (well over a hundred, closer to two hundred) have shared an amazing consistency, given the fact that they are written by dozens of authors. Added to that are the 6 movies, the tv series, and the video games the individual units of LucasFilms has released, it becomes an even more impressive feat.

I've seen problems in my own writing. When you've got parts of a dozen different novels (or more, I lost count), plus several short stories floating around that are all in the same shared universe (and across a large span of time) it gets to be too cumbersome to keep everything in your head AND keep it straight. I have one alien species that I kept flip-flopping the ending of the species name from -in to -inian. Planet names that were written -ax in one piece, -axia in another.

I don't have George Lucas' money to hire my own continuity editing staff. Yet. Until then, I have to do it the hard way- myself! To combat this, I started a document to track all the references, characters, ship names, locations, ect that were going into my series. This isn't an entirely new idea, other writers no doubt do the same, with character bibles, three-ring binders, and whatnot. I call mine a compendium, and I went a little more thorough with mine.

I included things like a list of sector names (important because I give a header block for each new chapter giving the location, ship name the characters may be on, ect), a time-line of the major events so I can keep the history straight, and a reference guide for me to remind myself which projects use a given character, or reference. I broke all my references down into alphabetical order for easier searching. Here's an example page from the X-Corps Compendium:

Rhinocerosi

A genetically engineered species. Rhinocerosi were two meters tall, bipedal and weighed approximately one ton each. Jailen Devorax took a rhinoceros DNA sample from ancient Terra, and had the DNA manipulated to grow himself a private body guard force. (RP)

Rowantree, Captain Rosina

Captain of the Starcorp vessel Starcorp Merchant. Barely 1.5 meters tall, with mousy brown hair tied up in an efficient if not exactly inventive bun, Rowantree had been moved over from the Starcorp Accountant fleet to command of the Starcorp Merchant shortly before the ship was raided by the Chorros de Corazón. (TAH)

RP Freight Line­

Render Paxon’s independent freight company. (RP)

- S -

Sánchez, Captain Ramón Juan Álvarez de la Vega

Captain of the privateer ship Chorros de Corazón. He was of Portuguese descent, with a darkly tanned skin that was a genetic gift from his ancient ancestors. He wore a goatee beard and a short pony tail of jet black hair that gave him a rakish, almost piratical air. A practical man, Sánchez operated on the principal that you never ruin that which you can raid again in the future. A stern but fair authority figure, Sánchez played no favorites and accepted no shirkers among his crew. (TAH)

Sanchez, House

Sanchez was the second smallest of the surviving houses to form from DrummondCo. Sanchez was named for Juan Raul Julio Sanchez, the head of the marketing division. House colors were white and orange. During Operation Telegraph the house was one of the major alliance members, pushing their spin-ward border well into former House Merker space, adding several systems to house control. (HSPP1,6,7)

Schwecshheimmer, Fregattenkapitän Fritz “Quicksilver”

Commanding officer of the Merker Navy aerospace fighter squadron Hell Hounds on board the carrier Cerberus during the first two years of the Fourth Border War between Merker and Donov. Fritz was killed in an ambush during a Merker attack on an unmanned border observation post in an uninhabited system. (HSPP1)

I broke it down this way: Entries are alphabetical (by last names for characters). Ship names are alphabetical by the name of the ship, omitting 'The' from a title. The (parenthetical) bit at the end of the entry is my project reference code, so I can track and update references. Some entries appear in more than one project. For example, House Sanchez is mentioned in books 1, 6, and 7 of the Hunt Starfire series.

I started this document for my own self-reference. It's grown into a document over12,000(!) words long at the moment. I'm sure that by the time I get all of these projects written, and hopefully published, the Compendium will be the size of a novel itself!

So, there it is. There's my organizational tip for anyone who's doing extensive world building or writing a series. If you have any tips, feel free to comment and share them!